Update: you can watch the fundraiser concert here anytime: http://www.youtube.com/watch?v=fhJgeuX8kH0. Thanks to you who watched it live together, we raised over $2500!!!
Whenever you see this concert, wherever you are, take a moment to share some dollars or tweets or good word of mouth for a charity/organization actively helping people recover from disaster. I promise, there will never be a time when your help is not needed somewhere in the world.
Dear Boulder, CO and Everybody Else:
My show in you was cancelled last week, and I owe you some music. Here it comes, this
Tuesday Wednesday night.
I’m having one more Colorado concert, a short casual house concert in Denver, and then broadcasting it online around the world:
Colorado Flood Relief Concert – 9/17-18/2013
To attend in person: Sept. 17th. RSVP to firstname.lastname@example.org to attend a casual house concert in Denver, CO, 6:45pm-8pm. The event will run about an hour, and will be recorded to view online anytime.
To attend online:
Sept. 17th Sept. 18th. Join Marian’s Google Hangout on Air. Video and hangout will be broadcast approximately 9:30pm Mountain Time (11:30pm EDT, 8:30pm PDT). Gather at this G+ event: https://plus.google.com/u/0/events/cgfi6pqbj3dparohm80bctu0mh4. Or on Facebook: https://www.facebook.com/events/191583677690501/. URL to view the concert: http://youtu.be/fhJgeuX8kH0. Details and chat will also be happening on Twitter and the Google Hangout. Twitter hashtag is #MCCOrelief.
Participate ANYTIME by giving directly to the Red Cross or other recommended charities (no donations will be accepted at the concert or at http://mariancall.com). Give online, or text REDCROSS to 90999 to donate to Disaster Relief efforts. To see how much we’ve raised collectively, enter your donation amount anonymously here in this Google Doc!
Want to help? Just Facebook and Tweet up a storm about this Wednesday night. Tell a friend. And come watch!
This week I was supposed to be in Boulder. I planned to stay there all week with friends, planned to record and work hard and enjoy a little relative stability on tour. But that definitely didn’t happen.
What happened is this: we arrived in Boulder during torrential rain on Thursday, after dodging and weaving around road closures to get into town. My show was cancelled, but I was unworried. Until things started getting scary. Roads began closing, smaller mountain towns began receiving appalling news, I watched the National Guard roll into town, the grocery store was stripped of bottled water, the power went out, and suddenly we were surrounded by spontaneous rivers that seemed way too deep and scary — feeling very hemmed in. So we split. We made for Denver so I could play the rest of my concerts, and we continued to watch the flood unfold from there, glued to the news.
The hashtags #boulderflood #coflood say it all, and I hope you have seen some of the scary. I hope you have seen it because outside of the affected counties, life just goes on — it’s so easy to forget a disaster even a few miles away. But the whole thing has been ringing in my mind all week. All over the state, small towns and large, really devastated. I keep thinking about the fact that I am just passing through, I get to drive away, I get to leave all this behind, but everybody here has to stay and start the slow work of recovering.
I don’t have a thousand dollars to help out. And I have to drive out to Kansas on Wednesday. I wish I could do more right here.
But I can make a concert, and invite you to use the concert as an excuse, a reminder to give a couple dollars to the Red Cross at ColoradoRedCross.org (or another organization of your choice). Heck, even if you have no interest in the concert, use these words that you’re reading as a reminder: drop some dollars or time where they can do some good. You know where. Do it now, don’t put it off.
I’ve always been a little wary of fundraiser concerts for disaster relief; I sometimes wonder whether the cost of putting them on eats up a lot of resources that could have gone to charity, and my mouth makes weird twisty shapes when I try to resolve the Good of the Cause with constantly being asked to work for free For Good Causes. Seeing giant posters for charity concerts makes me feel all complicated and confused inside, and I really have to consider them on a case-by-case basis.
But now that I’m sitting here in Colorado refreshing the local tweets over and over, hoping the missing will be found, I get why these events have to happen. And I’m clear on how to move forward.
I can’t really think of much besides the flooding. I have to do this. I have to do something. I’m right here.
I don’t have much to offer, but what I can do is create an event — a gathering place — a reminder. I can help focus attention for a few minutes on giving $10 to help out. And the power of dozens or hundreds of gathered people tweeting, Facebooking, and giving $10 apiece is formidable indeed.
I know there are disasters everywhere and worthy causes all over the place; this is the one I’m in the middle of now. And I hope you will support the many thousands of displaced folks in Colorado. But if another cause has your heart, don’t belittle this cause, use this reminder to prompt a gift where you feel moved. Just do it.
A word on tech stuff:
I’m trying something this time that I have been wanting to try for awhile. I love live streaming shows, but I find there are nearly always technical issues at the beginning, the audio and video stream is not always great for everyone, and I can’t chat with folks or interact during the event. My attention is divided at best, I’m totally distracted and off my game at worst.
So this time I’m going to host a live event, record it with very high-quality audio, upload it, and broadcast it an hour or so after the live event. Here’s why:
- Better video and audio. You’ll be able to hear the concert the way you ought to be able to, and you can buffer the video.
- We can still experience it all at once; it will be a real-time event for folks who watch during the Hangout.
- Folks who join a few minutes late, or weeks late, can still start at the beginning if they choose.
- I don’t have a tech team to set this up here — it’s just me. I’ll play a much better show if I’m not also trying to run the computer.
- We’ll skip all the mucking around at the beginning as we try to figure out how to make everything work, and the inevitable errors in the middle.
- I can really be there with you. I can be tweeting, talking, answering, responding, joking. At a livestreaming event I often feel like I’m “not really” in either place, not fully in the live show, but not fully participating in the online fun. I’m interested in whether this will be a different experience.
In other words, it’s just like a livestream, but skipping the parts of a livestream that make it less fun than it could be. I’ll be reporting back on whether the format change works!
**Update: Well, it almost works. I’ve learned to host the internet event the day after the live event! But the live event was MUCH better and much easier without trying to smash the livestream into it. The video and audio are far superior too. So it’s a win for the tech, a fail for the scheduling, and I’ve learned something important.**
Thanks all. Now to go work my butt off to make this happen. Go Go Gadget 24-Hour Concert Coordinator.
***Update, 9:17, 10:30pm:
The house concert was a success! We got fabulous video and audio! We will view it as a group online soon on YouTube!
Unfortunately we are having difficulties with incredibly slow internet. Estimated upload time: 380 minutes. That is a big surprise after our internet speed testing last night. I’m very sorry, we have to reschedule.
JOIN US WEDNESDAY, same Bat-time, same Bat-channel! The Google Hangout will go live 9:30pm Mountain Time on Wednesday, and the video will be viewable at http://youtu.be/fhJgeuX8kH0! All other info below applies!
BUT how awesome is this — we have already raised over $1300, and the event hasn’t even begun yet! Make a donation now, and add yourself to the total — let’s blow the roof off this thing and make some NOISE about it Wednesday night!!!***
BOOTH 1320 BOOTH 1320 BOOTH 1320
Why, whatever will Marian be doing at SDCC? Well I’ll tell you!
I am having a big concert on Friday night, like I do every year, sponsored by the San Diego Space Society. But this year Molly and the Doubleclicks will join me! It will be big and awesome! Details are here or else here on Facebook.
NINJA GIG: I will also be findable singing and signing (NINJA SINGING) at the CA Browncoat Booth (A7/A8), Saturday at noon. There will be singing until they shut us down. Bring your Jayne hats!
BOOTH TIMES: My stuff and I live at booth 1320. My new live CD and Something Fierce and everything!
So remember that number! I’ll be there Thursday from noon to 4pm, Friday from 11 to 3pm, and Saturday from 12pm to
close 4pm [updated]! No hours Sunday, sorry, I will be back in Seattle! Hopefully those signing times will stay the same, but if they change, I’ll change them here and at http://mariancall.com.
NEW STUFFS: My new Live Album will be at my booth with me!!! And I will be continuing The Postcard Tour by writing a bunch of postcards for a bunch of you! We’ve had a bunch of these cute postcards printed, and you can buy them, or you can get one free with a CD purchase, and if I’m there, I’ll not only sign it, I’ll write you a whole postcard from me! I like doing that. So come by the booth! 1320 1320 1320 1320
I also have a giveaway for the first person who comes to the booth and specifically asks me for it: the last available necklaces IN EXISTENCE from the MCEAQ fundraiser. That is, unless someone else is selling theirs on eBay. So come to 1320, ask for the goodie, and you’ll be the recipient! (Not available preview night. Open floor hours only.)
A bunch of you have asked for NEW POSTERS, so I’ve printed my great Postcard Tour Posters made by Patrick Race from Alaska Robotics! They will be available for $10 at the booth. I am also happy to ship them to folks on the Internetz who want them, but I might wait to do that until after SDCC when things have calmed down a tiny bit. And I’m happy to sign and personalize them and draw a little doodle or something for you during my booth hours!
So come and visit — I’ll see you guys on the Con Floor, feet aching, exhausted, tweeting up a storm. Can’t wait!
The new poster, with a bunch of room for signing and writing something nice:
Update! Postcards I receive are now being Tumbl’d at http://mariancall.tumblr.com!
I’m gonna sit write down and write you all a letter…
I have been sending a lot of handwritten notes lately. They are good for the soul. They are good for the everything. Since I am going on tour now — for several months, all across the continent and possibly farther — I thought I would invite you to join me.
Will you send a friendly postcard to a stranger? Because I will carry it to them for you!
This tour was actually rather difficult to name. The Pony Express? The Air Drop? The Mail Bag tour? The Mail Service tour? Frankly when you say anything with the word “Mail” in it out loud, everybody giggles. Particularly the words “Mail” and “Bag.” I am blushing even now. #fünke
(I was entreated by some to call it the Postal Service Tour, which would have briefly boosted ticket sales and then surely backfired.)
So it is with great joy that I announce the POSTCARD TOUR! I have new songs about sharks and dragons and Benedict Cumberbatch and railroad barons and TSA and lightning and power outages! I am excited to come sing them for you!!!!!
I am driving all across the west, and later the east, for singing but also for carrying postcards from you and from me. I hope you will bring some postcards to the show from the places you live or places you have been!* I have hand-stitched a special Mail Bag (teehee) to carry them all from place to place, and I hope you will let me take your postcards to another town.
Here’s how it works:
- Come to a show — and bring a postcard, or use one of the many I have on hand. If you can’t come to a show, you can mail me some!*
- I will supply the crayons and pens and stickers and gold stars. Leave the postage and address areas blank, but feel free to cover the rest of the postcard, front and back, with anything you like. Write a happy note to a stranger about where you live, what you like, how the show went, anything really.
- If you’re stumped about what to write, just draw a picture, write a poem, share a quote you like, leave a recipe or a book recommendation — anything. Make contact with someone you don’t know. Brighten their day one iota. We can all use more of that.
- Leave your postcard in the basket before you go. And if you put a postcard in — you will get to draw a postcard out of the bag from someone else!
At the moment the cards are mostly from Alaska and Texas, since those were my “seed” concerts to fill the Mail Bag (chortle). But soon there will be cards from all over. They’re already starting to come to my PO Box from other places.*
So where will I be?
Today: Dallas. This weekend: Austin and Houston. Then Albuquerque, Tucson, Phoenix, the Grand Canyon, Joshua Tree, the Bay Area, Southern California, Victoria, Vancouver, Seattle, Gig Harbor, SDCC, then much more of the West Coast, Alaska, all the Mountain States, a number of the Midwestern states I missed last year, and then a spin up and down the Eastern Seaboard in autumn. The Southeast U.S. in spring. And maybe more, as my body and my time allow.
Show info will be listed at http://mariancall.com or will come to you automatically if you sign up at http://mariancall.fanbridge.com (include your zip code!). Facebook (http://facebook.com/mariancallmusic) is a less reliable way to get announcements, but a good place to find event invitations.
I have been working on this for awhile, but I didn’t want to announce it until I had my awesome tour poster from Patrick Race. Also I needed to fill my hand-stitched recycled Costa Rican burlap coffee sack with cards from friendly people. Now I have told you all about it, and I will drive my cards all over the place in my Subaru. See?
Thanks to Heritage Coffee for the coffee sacks. I picked the prettiest one and made a smaller sack out of the huge pieces of burlap that brought my coffee beans to me at home in Juneau. I stitched on it all around Anchorage, Kodiak, Juneau, and Talkeetna.
Once upon a time, long long ago when I toured all fifty states (and most of Canada) in one year, I offered on Twitter to send a free handwritten postcard to anyone who wanted. Trouble is, people want postcards a lot more than I thought they would. Well over five hundred people signed up on my Google form — and I got to nearly two hundred by 2011 — and then I just had to let it go. I had this job thing to do to make money to live.
But I have not forgotten my postcard promise, and even though it’s been awhile I intend to fulfill it. The original folks who signed up in 2010-11 will all ultimately get sent a postcard from me — hopefully most will find their owners.** And I was thinking, you know, everyone could use a nice postcard, and I want to give everyone a love note, and maybe if I helped everyone give each other a love note, they might start to see themselves the way I do when I’m on tour — new town, new people, vastly different backgrounds and ideas, but all in need of a pretty picture and some scratches in pen and ink. Or crayon. Or just stickers.
So call me sentimental! Cuz I am. Come to the show, bring me or mail me a postcard to give to a stranger, and accept a love note from somebody else somewhere. I will read a lot of them and post photos of some of the interesting ones I find along the way.
I hope you will come say hello! And hear my dragon song! I have missed you guys. Especially the Southwest and Mountain states. It’s been much too long.
(I tried to take a photo in the mirror but as I have had very little practice with the Myspace angle all the photos made me look cross-eyed. Still, I am too excited about my postcards tonight to contain myself.)
Now to sleep a little, wake up and answer all your questions and tweets, and then drive to Dallas for a show at one of my favorite venues. Then Austin, Houston, Albuquerque, and Arizona. *yawn* I’m having trouble with this Central Time thing.
Miscellaneous closing business:
*If you can’t make it to a show, you may send me postcards at Marian Call, PO Box 21781, Juneau AK 99802. Fill them out, write a note to a stranger! And leave the postage/address areas blank. Mine is a small PO Box, so do not send a package — only regular-sized envelopes — or they may be returned. I will not get the next batch until July. But I would love to receive your postcards and add them to the party!
**If you signed up for a postcard so long ago but never received one, and your address has changed, send me your change of address at email@example.com. I will try to mail you one from me by the end of the tour!
If you want to help the tour plug along, paying some postage for the Marian Call Postal Express as it were, I am always very grateful. If you feel moved to tip $5, tip $10, tip $25, or pledge at the Nerd Solidarity Level ($42), that’s the only way I keep rolling; I am deeply thankful for the help. Or pick up some songs at Bandcamp for yourself or for a friend. Because those are the kinds of postcards I truly specialize in sending.
You can contact Marian at firstname.lastname@example.org. She might be slow at answering since travel is about to get really face-meltingly intense.
Tags: album release, american songwriter, aol, diy, green light go, indie, indie music, mad mackerel, marian-call, Music, new album, npr, paste, something fierce, songwriter, spinner, vocalist, world cafe
November 13th, 2012 #somethingfierce
This blog is for those of you who are already fans of mine, as we’ll go behind the scenes a bit:
Gather ’round, O Best Beloved, because I have something very important to tell you. This is kind big news in the Marian Callisphere, and it involves both a game and a party.
So! Last October I self-published a double album called Something Fierce. I worked on it for years, and I’m proud of it and it’s awesome. And because it’s sort of my magnum opus to date, I decided to push it out of the nest.
We’re gonna try for some bigger press now thru November. You guys have said for years: “Get on All Songs Considered Marian! Get on World Cafe! Get on Mountain Stage! Get in Paste and Spin!” This is how we try, and you are all the gatekeeper and the keymaster.
Something Fierce has a new global RELEASE DATE.*
November 13th, 2012 #somethingfierce
And you’re invited. We’ve already put out two singles. Here’s where you come in, O Most Beloved.
You guys ask me all the time how we can get to NPR-Paste-etc. We now have a way. And it really ALOTALOT depends on you. I’ve told the press that you, the fans, are super engaged, and now I need you to prove me truthy and not lieful.** When a music publication, big or small, posts about an artist, how do we tell them we want more of this artist in the press?
I mean comments, mostly, and referring to articles in other articles. Say you’re a little music blog, and you post a song by an unknown artist every day, and mostly you get a few hundred hits, but suddenly hordes of people visit & comment on & share an artist’s page for a day. How would you think about that post and that artist? You’d think you struck gold. And what would other music bloggers think? That they’d better not miss the bandwagon and be late. And what will big media outlets think when that artist crosses their desk and they’re deciding who to review?
Let’s make them think it. Let’s DO THIS!
I am going Adventure Questing in Europe next month, but wherever you are in the world, I invite you to go Adventure Questing with me. No money required; these are riddles and puzzles to solve, small tasks to complete, a little Golden Fleece journey for you that will hopefully create a little buzz.
November 13th, 2012 #somethingfierce
- is when my album drops again. This just became a list, poof.
- Starting November 1st, I will be issuing you one task per day for 13 days on Twitter and at MarianCallAdventureQuest.com.***
- Your task might be to post a comment on an article in haiku, or to draw a doodle of a lyric and post it hashtagged on Twitter, or to write a comment where each word starts with the letters of the last word in the before you (remember our limerick contest guys? Peter Sagal announced the results). They will be small internet tasks, little 2-minute treasure chests and dungeon crawls, and will involve lots of Us Guys rewarding media outlets that feature the record.****
- If you complete every Adventure Quest task by November 13th and send me screencaps by email, you will be entered to win some sincerely excellent and very real prizes, digital and physical, with shipping anywhere in the world.
- Yes, you can do them all on the last day if you want, Procrastinatey McJones. It doesn’t matter if you’re right on the nose with your dates. Just finish before midnight on the 13th Hawaii time to be part of the crew.
November 13th, 2012 #somethingfierce
Is the date sticking for you yet? I will spend my morning in Amsterdam and my afternoon/evening in Dublin, and guys, we are going to HAVE A PARRTY! By which I mean GOOGLE HANGOUT AND TWITTER PARTY! I’d like to invite you to have brunch with me in Amsterdam, then pub fare and Guinness or Killian’s or Harper with me in Dublin, no matter what your time zone. When I’m not flying, I will be online several times through the day talking with you guys, answering any and every question, doing goofy things on camera, potentially drinking a little too much, and celebrating this awesome record that ate several years of my life. I will try to get some special guests to join our Hangout and say hi, I will draw prize winners, and I will definitely sing for you in public places which will probably be embarrassing.
You guys, American Songwriter has already agreed to feature the album on their site all day on NOVEMBER 13TH, and so has AOL/Spinner. OMG OMG OMG. We released two singles to the media to promote, and for some reason “Dear Mister Darcy” is taking off at over 3000 downloads; we can’t even figure out why. We will get more media on the hook if we can only deliver the audience. With building momentum World Cafe and Paste and NPR might be someday be within reach. THIS IS BIG.
But only you can make it happen. So join me Adventure Questing if you wish! For all those times you guys have told me to get on NPR, now you have the power to Make It So!
November 13th, 2012 #somethingfierce
Do you want to do something now? Here are further action items if you want them. But only if you want them. I don’t expect this sort of involvement, I’m grateful for you guys beyond belief; but I do want to focus those of you who have asked to help.
- Go download a track here and leave a comment: http://madmackerel.org/2012/09/11/marian-call-readies-something-fierce-for-release/. They’re free on purpose. If you already have the music, send the track to a friend — surprise them. Send the link to this article to a local radio station or DJ.
- Here are some articles that need some love. Comment or share real quick, and I dare you to do it in Subtle Haiku (no line breaks, but a clear haiku structure that other readers will recognize): post 1 post 2 post 3 post 4. Tweet me links or send me screencaps if you want to show off your handiwork!
- If you have a blog, write a teeny review of your favorite song or concert experience. Include a link to the blog above, or some other blog, since that really helps. If you don’t know what to say, just post lyrics and then tell a nice story that seems tangentially related, like this.
- If you posted a blog about me ages ago, circulate the link one more time now, or post a follow-up, gloating that you were in on the ground floor of something awesome. Tell everyone you were right.
- Comment on iTunes or Amazon or listen on Spotify, which shows up on Facebook. (Note that my preferred listening/purchase link to actually benefit me is Bandcamp.)
- If you are allowed to play music where you work, spin the album a couple times before November 13th. Tell people you are cool enough to have gotten this record before the global release because you’re that hip to new music. You don’t need it with you, you can just listen online. (Don’t annoy anyone please.)
- Pester your local DJ — most can play the music from the web now, so bother them with the link and say the album’s coming out soon. And hey, pester your local weekly paper’s music reviewer, and your local NPR affiliate too, along with the national tastemaker stations (KUT, KEXP, KCRW, WGBH, WBUR, WHYY, WNYC and more). If you need a press release for singles 1 and 2 or a bio, we have them.
- I could use a little web help November 1st-14th, because obviously I will be running around Europe when I need to be posting stuff and answering questions. If you’re interested, e-mail email@example.com with the subject line “Adventure Quest-keteer.”
Any volunteer work that you feel like doing, I will equip you for. Any questions you have, I will answer. A few answers from the asterisks above are below.
I owe all of this to you guys, and that’s why I work so hard and run so fast. I want to do my best for you, and I want to do the most for you. I am excited to see all of you I can see in the Northeast of the US, the Southeast of Canada, and Europe. And I’m super super super excited to raise a Guinness to all of you on — what date?
NOVEMBER 13TH 2012!!!
*Why release your album again? This is very normal for indie albums actually, in part because media outlets have almost no interest in reviewing an artist unless a Big Album Release is coming up. So I have an awesome publicist, and they’re trying to get some media attention, so the Big Album Release is coming up!
**We are pitching me to media outlets as a social media musician with an engaged fanbase. So woe is me if my fanbase stays silent when Paste finally gives me an article. We have to prove that my press releases are true! Mostly I don’t post articles about me (it’s rude) but for the next little while I’ll need to, and I’ll be hoping and wishing you guys will show them you’re listening.
***That site is not ready yet. Sorry. I was getting this site ready. November 13th.
****I promised you once, after my first Shortys encounter, and I’d like to reaffirm my promise: I will never ever ask you to “vote for me” in any sort of internet competition. I have some dignity at least.
Tags: activities, bad astronomer, children, concert, event, family, field day, geek, george hrab, Joseph Scrimshaw, Ken Plume, kids, Labor Day, marian-call, molly lewis, NASA, nerd, phil plait, rocket, rocketfest, science, science education, skeptic, skeptics, space camp, w00tstock
I am doing a very special thing this week. I have been excited about it for months. But I have not communicated my excitement to you guys yet.
ON LABOR DAY I AM GOING TO SPACE CAMP.
I am taking with me some of my favorite people: Molly Lewis, Ken Plume, Joseph Scrimshaw, Phil Plait, George Hrab. We are trucking over from Dragon*Con Monday morning. We are there going to present the live audience in Huntsville, AL with a variety show of terrifically geeky sciencey entertainment, and we will be streaming the show LIVE FROM SPACE CAMP TO YOU.
Here’s the why of this event. It’s a fundraiser for the U.S. Space & Rocket Center Scholarship Foundation. That’s a fancy way of saying we’re raising money to send more kids to Space Camp. There will be stuff you can order, special goodies from Thinkgeek and Space Camp, and everyone who donates $10 or more online during the live stream will be entered to win a bigger prize from Thinkgeek. (Thank you Thinkgeek!) Of course you can just donate too, that’s an option anytime at http://spacecamp.com/rocketfest. But I hope that during this livestream we can flood the gates a little. I want to demonstrate to the folks at USS&RC that the internet is full of people who want to support them.
When I was young, I was totally the scholarship kid at horse camp. I begged and begged my parents, but they couldn’t afford it. When I finally got to take my swim test, saddle up for early morning trail rides, and take my first crack at archery, it was thanks to anonymous strangers who helped to provide scholarships. So there’s a big soft spot in me where summer camp is concerned. It’s not just camp, it’s a big deal for a kid. It’s CAMP.
And this is not just CAMP, it’s SPACE CAMP.
Science has been on my mind this year. I know, I’m a liberal arts nerd, I don’t have much right to step into the science nerd realm. [Insert rant about the overstated divide between “fuzzy” and “techie” and how early a girl is forced to choose.] But in light of Curiosity’s landing, our little Mars invasion — and in light of the shuttle’s last landing and Sally and Neil leaving us — I feel more and more urgency about science education.
No, not education, excitement. Science Excitement needs to become a national priority. We need a tiny bit of moon landing feeling back. A few of us experienced an incredible thrill as Curiosity landed. I want to know how to spread that feeling, to make it more universal and less niche. Because that sentiment is what would help to reorient the U.S. toward invention, discovery, research and development as a public prerogative.
I feel strongly about this (and I’m late to the game, I know, a lot of you have been fighting this fight for decades). And I don’t know how I can do anything to change national sentiment as an individual. But this seemed like a good little place for a singer-songwriter to start. So here I go.
On Labor Day I hope you’ll tune your computer to SpaceCamp.com at 2pm Central and watch our little show, have a look at Rocket Park, even if it’s just on in the background while you barbecue on the deck.
And if you are within driving distance of Huntsville, I’m talking to you Dragon*Con attendees, consider bringing the family out for the day — Space Camp is throwing a field day from 10am-5pm, complete with rocket launches and bubbles and science demos. The price of admission gets you our show and everything else in Rocket Park. How cool is that? Come sit on the lawn and have a picnic among rockets and be entertained. We definitely need a live audience, so bring the kids and come play. Make a pilgrimage to Space Camp! Especially if you’ve never been. You know you want to!
Last: please, tell everyone. Tell the whole internet. This is just a little tiny thing but let’s get some eyeballs on it. I’ve worked hard to pull it together and I really hope it will be half as beautiful as in my head. Point people to info at http://spacecamp.com/rocketfest, and RSVP or share the Facebook event here. If you can possibly blog about this or otherwise publicize it — DO. The official press release is below.
Stars and stars and stars to all of you — writing from Cincinatti at 3am between concerts —
P.S. If you are in Huntsville or Atlanta, and you could Minion for me and the other entertainers, we need two volunteers to come along and help out for the day. We can provide round-trip transport from Atlanta, and lunch. Write to firstname.lastname@example.org if you are interested in going to Space Camp to help. Sound/web/social media skills a plus, we’ll need some of that. Loving Space Camp a double plus.
LABOR DAY 2012
When: Monday, September 3, 2012, 9am – 5pm, entertainment at 2pm Central
Where: U.S. Space & Rocket Center, Huntsville, AL, streaming live at http://spacecamp.com
What: Rocketfest, a fun filled day of music and family entertainment
On Monday, September 3, the U.S. Space & Rocket Center will host ROCKETFEST. With your paid admission to the Space Center on Labor Day, the whole family can enjoy a fun-filled day. There will be family activities on site like rocket launches, bubbles and science demonstrations; attendees can win prizes from Thinkgeek and enjoy a special concert and variety show in the park.
The entertainment lineup (2pm) will feature nationally renowned musicians George Hrab, Molly Lewis, and Marian Call, along with science and geek culture icons Phil Plait the Bad Astronomer, Ken Plume and Joseph Scrimshaw. All entertainment will be exciting and family-friendly. The festival performance will be streamed LIVE on the web at http://spacecamp.com.
The event is a fundraiser for the U.S. Space & Rocket Center Scholarship Foundation. For more information or to donate, check out http://www.spacecamp.com/rocketfest.
The USSRC is home to Space Camp, Aviation Challenge, The Davidson Center for Space Exploration and world-class traveling exhibits. It is also the official visitor’s information center for NASA – Marshall Space Flight Center. To learn about all of the exciting programs and activities at the USSRC, go to www.rocketcenter.com. The U.S. Space & Rocket Center is a Smithsonian Affiliate.
Press Contact: Tim D. Hall, email@example.com (256) 701-0916
Tags: art, artist, crowdfund, crowdfunding, crowdsource, crowdsourcing, diy, diy music, fundraising, kickstarter, marian-call, Music, tour, tour fundraiser
It’s the middle of the night in Juneau. My hair is still all curly from being in a wedding today. I have a lot of thank yous to say, and a lot of explaining to do.
THANK YOU to all of you folks who contributed to my crazy Kickstarter. You are mighty when you pull together! Just look what you’ve done, it’s incredible! And by that I mean barely credible! I mean, I knew you would fund my asking amount, but I did NOT anticipate becoming a poster girl for Kickstarteriness. More on that in a second. I’m busy trying to keep up with your messages to me and get the survey stragglers in the database and get necklaces mailed out. But first —
THANK YOU to the people who forged the Kickstarter and who are even now working on making and fulfilling the rewards. Thank you Chris Cushman who made the armor — Valette who shot the photos — Adam Levermore who designed the graphics — Patrick who made the website and shot the video — Katie who helped build the back-of-house infrastructure (there’s TONS of it) — Annie who will soon have handmade over 150 necklaces — Dammit Liz who is even now helping to book shows in Europe.
If you missed the excitement — I’m sorry you did, because it was terribly exciting. In short, I decided to fund a Europe tour, because my European fans have been patiently waiting for a tour which I could not afford. I conjured rewards and a sort of game to try to fairly determine where in Europe I would book shows. Then I asked for $11,111 with some stretch goals reaching up to about $18k, at which point my tour would be funded to several countries.
We raised the first $11,111 within about 3 hours of my first announcement. Holy hand grenades, Batman!
I was shocked. I knew we would raise the funds, but I don’t think anyone who has been tracking me closely would have anticipated the speed — or the fact that, for the first couple days, the average pledge was around $79 (the Kickstarter overall average is $25, and while I love my fans, I know they aren’t all rich, so I was blown away by the level of support per person.)
I set some stretch goals, because we blew past the $20k mark within the first two days, if I remember correctly. I caught a lucky snapshot on my phone of this moment:
Things slowed down awhile in the middle of the fundraiser, but toward the end Patrick told me I should offer cover songs for higher levels. I decided to choose songs that were classics to me, songs from my musico-cultural desert island list, like the Muppets and TMBG and Tom Lehrer and Supercalifragilisticexpialidocious (I wanted to be Julie Andrews when I was little). The internet responded that yes, they wanted those cover songs, and they funded us all the way from $40k to $50k, and then up to $60k, where I threw up my hands and decided to just lie prone on the floor in surprise for awhile.
Now I am happier and wiser and very very very very very busy girl. I have used up my all caps quota for the year several times over. Now I’m just piled high in more work than anyone can manage; if you’re still waiting on something, sorry, working on it. Fulfilling rewards is no small task, and I have laid out for myself a nearly impossible amount of recording by the end of the year. But in my family we have a saying: “That’s impossible. Let’s do it.”
Guys. Guys. We did it. Thank you!
In the middle of the work, though, I thought I should take a minute to talk about the whole experience, because I am getting asked lots and lots and lots of things about Kickstarter, and I’ve gotten letters of all kinds, from very nice and admiring to sort of slimy and advertisey to very mean (only one of those though). And I get asked tons of questions about the music business in general that I wish I could answer better. So without any particular order or editing, because it’s 1am, here are some of my thoughts.
- I am being asked quite a lot about what I did to make the Kickstarter go boom like that. I have a lot of specific techniques and ideas (most covered below), but seriously, the biggest thing is do your art. Do it a lot. Make the art good. Make it good enough to turn heads. Then make it better. Nothing else comes before that. Because if you’re asking other people to put up money for it, it needs to be really good, and there’s a lot of really good art out there right now (yay!). I’m not trying to say my art is so amazing, I’m just saying that the REAL first step of my fundraiser was studying and performing music intensively for 20 years. And that was hard, and it mostly didn’t earn me anything, and it still doesn’t earn me much more than a secretarial job. But that’s where it starts, not with a smart fundraising strategy or clever video.
- The second biggest thing is to know your audience. Duh, you’re saying, and I’m like, that’s so nineties of you to say Duh. But here’s what I mean: know in advance how much you can fundraise, and how fast, and who is likely to fund it. I knew the amount I proposed was a doable amount, because I fundraise sort of quietly in the background all the time, little poster sales and things, and I have an auction once a year. After fundraising slowly for my album Something Fierce, I had a very clear idea what a reasonable minimum would be. I can’t tell you how painful it is to see Kickstarters for bands asking for $50,000 for their first ever album — with stretch goals already listed for $100,000, which is just embarrassing when their funding is stalling out at $10k. Where will the money come from and how much will it really be? If you don’t know this in advance, wait. Do some other experiments first. Test the water. You might have a lot of fans or followers, but that doesn’t translate to money. How and what people purchase is something you really only find out by selling them your things. No model works but your own, don’t use other people’s numbers. We all sell differently and we all sell something unique in this market.
- When I say know your audience, I mean something else too, something more important: love your audience. Respect your audience. I spend time with my fans more days than I don’t. I’m definitely not perfect with them (there is just never enough TIME, guys) but I like them. I like you. And I like spending time with you, and I just wish there was more time to spend. I kind of want the same things my fans want; I get excited by what excites them, so putting together a silly website gamey thing they might enjoy was fun for me. I can’t tell you how many hours I puzzled over the Rulebook and the Coins and the FAQ’s and the ridiculous minutiae, because I knew some nerd out there would care as much as I do. When I was coming up with the rewards, I just asked my Twitter stream: what do you want from me out of a Kickstarter? What are other people doing, what have you liked, what bores you, what’s meaningless? And I got exactly the answers I needed, within minutes. (Here’s what’s meaningless, according to the survey: movie credits. I kinda have to agree. The glamour went out of that ages ago since every person I know has been part of a movie recently. I don’t need a movie credit, guys. I need a cookie.)
- Now that I’ve typed it a bunch, I kinda dislike the word “fans.” It seems weird to me. Beyoncé has fans. I have ………um………my people. The people who live in my phone and sometimes materialize at concerts, and then I sleep on their floor and meet their pet tarantula or hedgehog or what have you. I really really like and respect them, and I am convinced their time and money is precious, and it’s awesome when they spend some on me. They have so many other options. If you don’t like and respect your fans, if they’re not the folks you want to be hanging out with, well, bummer. (I get sad when I see artists who sort of secretly scorn the people who support them, because that means they secretly scorn people who like what they do. I hope they try making different stuff or marketing it different ways.)
- Two things I’ve had to tell a lot of different people, in a friendly fashion, trying not to hurt their feelings: 1) If your music doesn’t turn the heads of strangers on the street, don’t have a fundraiser yet. 2) If you can’t immediately list 10 specific subgroups that describe your demographic, if you don’t know who your fans are — then you shouldn’t have a big fundraiser yet. You should make/meet more fans. Or have a tiny discreet fundraiser appropriate to your audience base right now, and use the thing you make as a stepping stone.
- Make a spreadsheet. Patrick forced me to make a spreadsheet, and I spent as much time fussing with and fretting over it as I did on the rest of the Kickstarter. Why? Because when you look at your chunk of money, and you deduct 10% for Kickstarter/Amazon and then 15% for taxes, and then you really add up the cost of fulfillment, you might be earning only $2-3 at your reward level that seems to profitable. The thing most people forget in their spreadsheet is worth looking at if you’re gonna kick some start, it’s on the second NUMBER SMASH page of my public budget. I calculated what each reward level would cost me, and then I wondered how many people would go for higher-return vs. lower-return rewards. What would people buy the most of? If everyone went for necklaces & USB drives, could I still actually afford to do my trip? I worked through a couple different scenarios to get a good estimate of what rewards would cost me — and how much I would need to ask for to wind up with $7,000 to make it to Europe & back (the answer is about $11,000, so $4000 would go into fees & fulfillment). The extra math saved me much grief. I frequently see bands offering physical CD’s or vinyl at reward amounts that ensure they will be losing money. Please do the extra math and give folks the physical CD for $25 instead of $15 if you’re raising funds for anything besides just duplication.
- Be prepared for both failure and success. I had a solid plan if funding wasn’t going well. I was prepared to pound pavement if the pledges were not coming in, and I knew exactly what pavement to pound and how to pound it. Turns out I didn’t have to. But success brought its own problems — I had to completely redesign my website and Kickstarter page on the first day when we funded so quickly. I had to come up with more rewards at certain levels. Local jewelry suppliers ran out of the silver we needed to finish the necklaces. Fulfillment got to be a huge job, much bigger than we thought, not to mention the pure administrative effort involved (thank you Katie!). So plan ahead. I thought I was overthinking absurdly, with all my FAQ’s and blathering, but it turns out it was very good I thought through all the questions carefully just in case of success.
- For heaven’s sakes, don’t list tons of stretch goals until it appears you will certainly fund ahead of schedule. Chickens, counting, hatching.
- I have a rude question. Does anyone want you to make the thing you want to make? Are people clamoring for it? Because — this is an important distinction — there is art you make because other people want you to make it, and there is art you make because you must make it. The latter is more pure, in some ways, personal and vulnerable and sometimes revolutionary (and occasionally both sorts align). But you only want to crowdfund something people want and need and get super excited about. Before you start *any project,* ask a ton of people whether they want it, or what they want. Don’t ask your friends, ask strangers and fans. Would they pay for it? Do they really want it to exist? If they’re not responding, that means it doesn’t compel them. I’m not saying don’t make it. I’m saying fund that thing in another way. Get a grant. Invest in it yourself. Produce a more popular in-demand thing to fund the Art You Must Make That Nobody Demands. Don’t let the crowd decide the fate of that kind of art — it’s too personal and it doesn’t need thousands of voices in on the process anyway, people who feel like stakeholders.
- Don’t do a Kickstarter thing just to raise some extra money. People can tell and it’s weird. Do it when you have a project you really really care about. Kickstarters, like Hansel, are so hot right now. And for good reason — what a great model! You won’t believe me, but I wrote those two sentences without initially seeing any connection between them. But the thing is, everyone’s got a Kickstarter or Indiegogo cause lately. They’re like belly buttons. I get requests to retweet them every day (sorry, I mostly can’t, the volume of requests is absurd). So let’s pretend you are only allowed to do one Kickstarter for the next two years, just one. What will it be about? Why is it bigger and more special than your everyday business? (Because your normal business should be able to fund itself — you shouldn’t need a Kickstarter to just do your job.) A Kickstarter is fast and big and dramatic and public, moreso than the mellower kinds of fundraising that go on all year. So don’t do one just to do one. Do one when you have a real project or a real vision that moves you. If it moves you, if it’s exceptional and exciting for you, it will be for other people too.
- Since you asked or assumed: I am not rich now. I don’t know if you saw Amanda Palmer’s blog entry re. “where did all that money go,” but my budget looks very similar; the business itself eats the money. I put a big chunk of money towards debt, I replaced some failing equipment, and the rest is all getting folded back into touring and business expenses and fulfilling the promises I made. After sweating over the budget quite a lot, I realized there was no tropical vacation in it for me, and not even really a shopping trip. I might get crazy and spring for a doctor and dentist visit, but that’s about it. Upgrading my infrastructure and doing a ton of recording and touring and being a little less in debt will be my reward. (And for someone who love love loves her business, that’s a huge reward.)
I guess what I’m really wanting to say to you is this. The groundwork for a successful fundraiser is not having the right strategy or the right gimmick or the perfect combination of currently popular things (Ooh! Zombies and steampunk and rhythm gymnastics! A hit!). It’s about knowing yourself and knowing the people you’re connecting with. To thine own self be true. Know what you want, know what your supporters want, and make them align.
I hope I didn’t say anything wrong but I’m too fall-asleepy to discuss anymore. So I’ma add links, publish, sleep, and spend tomorrow working on getting all you survey stragglers into the Kickstarter fulfillment spreadsheet I made, and fulfilling your rewards, and booking Europe. Then I’m gonna disappear into the Alaskan wild for a couple nights to do something that’s not Kickstarter.
Next up: I play Juneau on 8/17-18, I tour the Midwest thru the end of August and then go to Dragon*Con, then I play at SPACE CAMP on Labor Day, then Auburn, then I’m desperately seeking a concert in Nashville, then playing DC and the Northeast U.S./CAN including 3 shows with Molly Lewis & the Doubleclicks, then I go to Europe, then Anchorage, then home for the winter to sleep for months.
Love you all. G’night!
Tags: bandcamp, digital music distribution, experimental, free music, illegal downloading, Music, music distribution, piracy, scholarship, unemployed
(Obligatory artist marketing message: you should buy some copies of my album for the holidays, by the way, or for future all-purpose gifts, or for yourself! At Bandcamp.com you get an instant DRM-free download even if you order the physical CD, at Amazon.com you can get super saver shipping. Plus it’s on iTunes and CDBaby and other places. Help an indie artist out and DO IT!)
And now that my album’s released I’m confronting this problem that I think a lot of artists face. Other artists might not know they face it, but since I talk with my fans all day on social media I’m acutely aware of it. Here’s how it goes:
ACT I SCENE I
Longtime Devoted Fan: OMG MARIAN I LOVE YOUR NEW ALBUM! It’s everything you promised!
Marian: Here, buy a copy! I made it for you since you’ve been so supportive and friendly and awesome!
L.D.F.: Um…..well….I am gonna do that FIRST THING when I get a job again. Or pay off my ridiculous health care costs. Or get my kids shoes that don’t hurt their feet. Or I’ll beg for it for a gift. Because…. [L.D.F. switches to private message or e-mail] …..I kind of really can’t afford it right now. Or anytime soon. At this time my money is for food, not music.
Marian: But……but I made it for you. Take it for free! You’ve always been there for me!
Chorus of the Ghosts of Indie Musicians: But isn’t that devaluing your art? Not to mention contributing to this awful Race To The Bottom that will undermine our economy and bankrupt hardworking artists? Where will this end? With all of us giving up our dreams and becoming insurance adjusters? Shaaaaame ooooon yoooooou.
Credit Card Company + Hospital, in unison: Hey, Marian? About these monthly bills —
L.D.F.: They’re right! Your music is worth money and I support you! So I refuse to download it like a piratey pirate! Also I’m gonna go cry into my ramen now.
Marian: Me too. Into my ramen though, not yours.
EXEUNT L.D.F., Chorus, Bill Collectors. Marian is left alone; she crosses DSC. Lighting cue: follow spot.
Marian: [heavy sigh] If only I could give away my music to folks who are out of work or strapped for cash – without contributing to the problematic modern mindset that art for free is OK!
ENTER Donors’ Circle, fast & awkward, Kramer-style, wearing superhero costume. D.C. Leaps into follow spot with a flourish.
Donors’ Circle: I’m here to help with that!
It’s a fact that a lot of people I love are struggling financially right now. And asking them to buy my music feels kinda crass. But withholding music from people I love also feels yucky. I have been there, and I needed music then more than ever to get through it. Some of the most important albums of my life that helped me survive is stuff I ripped from friends when I had nothing BUT music.
SO! On the recommendation of a brilliant member of the Donors’ Circle, I thought I would try something a little different. Below you’ll find an application for a sort of scholarship program — I’m calling it the Pseudo-Scholarship Fund, since I’m not sure what the legal ramifications of actually calling it a scholarship might be. This program means you can get a legit digital copy of the album for free if you can’t afford it — but an anonymous donor will be paying for it. SO! Free to you, but still paid for, and therefore not without value.
Does this make sense?
I hope it works, at least for a few of you. We’ll run it through December 31st, 2011, and if there’s more interest, possibly longer. We’ll need two groups of people: folks who want to get/give the album but can’t afford it, and folks who want to fund the project. [Note, April 2013 : it’s still running! Just be sure to email us if you fill out a form!]
If you apply, you’ll get the music & liner notes at no cost to you, but I will ask you for something — I’ll ask you to join the mailing list, tell someone about the album, leave a review, or come to a concert. And I’ll try to make it really easy to do that.
*Note: you are welcome to apply and give the album as a gift. I know some of you said you would give the album as a holiday or birthday gift, but you can’t afford to buy it (or buy an extra copy). And you’re too honorable to rip & burn it for free — you blessed few — so here, this is your chance. Get the download code, write it on a paper heart, put it in a little origami box made out of brown bags and gold stars, and give it to someone for a holiday/birthday/specialness present. (Ooh, and use googly eyes. You can never have enough gold stars and googly eyes on a present. It’s all about presentation, and good presentation can be cheap.)
I’m into solutions and this seems like a solution. Thank you, Donors’ Circle, for coming up with this one. And thanks to you who are funding it, either one album or dozens – this is the coolest thing ever.
DETAILS AND STUFF:
If you’re interested in applying for an album, to keep or to give away, just fill out the Pseudo-Scholarship Fund form below — you can also find it at this link here. You should hear from us within 2-3 business days to either give you your download code & congratulations, or to let you know you’re on a waiting list. [Update from April 2013: send us an email if you apply at firstname.lastname@example.org, so we know you have entered your info!]
If you’re interested in funding an album for someone like L.D.F., you can send money via Paypal to email@example.com and make a note that it’s for the Psuedo-Scholarship Fund. $15 pays for one album; you can send that amount right now if you want by clicking here. Or send an e-mail if you want to pay by some other method than Paypal, I’m more than happy to arrange that. We’ll be in touch within two or three business days to confirm we’ve applied the money where it’s supposed to go, and to express our thanks.
Acceptance of applicants will be at our discretion, but if you apply (and you’re not rude and you answer all the questions) you’ll probably be accepted, and if you’re accepted and there are funds in the account, you’ll be sent a digital download of the album, which includes a PDF of the gorgeous liner notes. And we’ll add you to the Marian Call e-mail list, and possibly ask you to share/review the album or do some other small thing like that to pay it forward.
Let us know if you encounter any hitches (the most common involves our messages to you going to a spam filter). Questions & observations can go to firstname.lastname@example.org.
Go to it!
Tags: alaska, album, anchorage, avocado song, bandcamp, buy album, cd, from alaska, marian-call, Music, musician, new album, order, pre-order, singer, singer-songwriter, something fierce
**Update: the autographed CD’s are now sold out, but you can still pre-order the CD — it’ll come shrink-wrapped and all ready for you to get signed at a show sometime!**
IT’S HERE IT’S HERE IT’S HERE! AFTER TWO AND A HALF YEARS SOMETHING FIERCE IS HERE!
I’ve been yelling about this a lot so I’ll try to calm down, quit spinning, and give you all the details. And I’ll briefly stop saying thank you thank you thank you thank you thank you. (Though I can never ever be grateful enough for your patience and support. I’m gonna make like an NPR station during pledge week pretty soon and compulsively send you all tote bags out of gratitude.)
The record will drop on OCTOBER FIRST TWO THOUSAND ELEVEN! According to Google, October first is also Julie Andrews’ birthday, the anniversary of the creation of Mensa, and the Texarkana Egg Fest. An auspicious day. The record will be available to download on that day, from anywhere in the world, through Bandcamp.com. Physical CD’s will start shipping that week, so you should receive them shortly after that. If you pre-order the album, digital or physical, you’ll get an e-mail the moment it’s released with the entire record as a download all ready to go!
Wanna know how it sounds? The tracks “Anchorage” and “Good Morning Moon” have already been released as singles, and I’ve posted some samples of a few more on Soundcloud for your listening enjoyment. And I’ve written a few vulnerable artsy thoughts about the record, too. I hope you like it so much!
Here is how you can pre-order Something Fierce. And you should, so that I can afford to print it for you.
Digital pre-orders! For you modern types.
If you pre-order your fabulous digital double-album through Bandcamp, you’ll get a little bit of music now — if you like — and on the first of October you’ll automatically receive your tracks and shiny digital album art to download! So go ahead and pick it up now. Price is about $15.00 or whatever you feel beyond that. If you have any issues at all, e-mail me or Katie at mcminion42*at*gmail.com. Thank you!
CD pre-orders! For you who need something to
play frisbee hold.
I’ll be signing 500 copies of the physical CD for you early birds! So if you order now, your album/s will come autographed (no dedications, sorry. Bring it to me at a show and I’ll sign it to you). If you buy the CD, you’ll also get the album as a download that will be delivered on October 1st — so however long the postal service takes to your corner of the world, you can still join the CD release party that day!
The double disc costs $25 autographed, a little less ($20) if you want to wait until the release and get a not-autographed copy. I’m absorbing a little of the cost of international S&H because I really want to keep overseas shipping affordable for my friends across borders!
I’m a CD person still — I buy physical discs and play full albums in my car and in my house. But I know there’s an environmental cost, and I’d like to minimize that where I can. So this is a carbon-neutral run of CD’s, or as close as we can get to it — they’re printed with soy ink on post-consumer recycled materials; the trays are made of recycled water bottles, and carbon credits are purchased to offset manufacturing and shipping.
**Donors’ Circle Members: remember that you’re entitled to two free copies of the record if you like! There are other goodies for you as well. Be sure to fill out the form I sent you in order to receive your benefits. But if you want to order more copies, these links above are for you. Any questions, just e-mail me or Katie at mcminion42*at*gmail.com!
And thank you thank you thank you thank you for your order. I fantasize about this all going very smoothly. (But it never seems to go completely perfect. So if you have any issues along the way, just let me know, mcminion42*at*gmail.com, and we’ll do our very best to get it sorted.)
Bounce bounce bounce bounce bounce.
If you want to know more about the record itself, here are some details. Something Fierce is a double album with two parts — vol. I: Good Luck With That and vol. II: from Alaska.
I announced the album and formed the Donors’ Circle in March 2009, and I began writing songs and booking musicians for the project around that time. Recording began in November 2009 and has continued up to last week — at intervals between touring — we did studio work in Seattle, Los Angeles, Brooklyn, Austin, and Anchorage. About thirty people made noises for the record, and over a hundred fans helped to fund it. I did all the editing myself before, during, and after the 49>50 Tour, and this spring I even added some songs written on that journey.
Here’s a track list so you can see if your favorite song from the live shows is on Something Fierce (track order not necessarily finalized):
Something Fierce, vol. I: Good Luck With That
- Good Morning Moon
- The Avocado Song
- Highway Five
- Dear Mister Darcy
- All New (Heart Shut Tight)
- Temporal Dominoes
- Press or Say Three (your call is important to us)
- Ina Flew the Coop
- Free Bird
Something Fierce, vol. II: from Alaska
- Whistle While You Wait
- Early Is as Early Does
- I Wish I Were a Real Alaskan Girl
- The Underground (One Bird at a Time)
- Coffee by Numbers (Faon’s Song)
- Perilous Road
- Aurora Borealis
Things I’d love for you to know about this record:
- Some lines and songs are in fact inspired by friends on Twitter and Facebook. Usually they know if/when they’re to thank.
- I consumed enough fruit snacks while editing this record to feed a crowded day care center for a month.
- For this record my mother played the turkey baster, my sister banged on her cello all over like a drum, my brother clicked a mechanical pencil and played his trumpet valves with his nose, my stepdad played the harp and jaw harp, Brian Adams shot his Hasselblad, and I played goat toenails and shook my dead cat’s ashes in a tin.
- You can perhaps hear a number of musical and lyrical compressions honoring Zelda, Dr. Horrible, Elizabeth Bennett, and a number of other fictional characters.
- I dare you to figure out which songs I wrote before, during, and after my divorce. You’ll probably be wrong. But there’s a lot more relationship stuff in this album than I’ve previously included, and it’s more vulnerable than what I’ve written in the past. I take a lot of musical/stylistic risks and I hope they pay off and move someone.
- One of the songs sounds like it’s about a breakup or an unhealthy relationship, but it’s actually an ode to a beer I fell completely in love with on first taste.
- There are really a lot more drums and a lot more noisy hollering of the sort I do on tour.
- The typewriter and rainstick can be heard on about half of the tracks, though they’re subtler than in the past.
- Several members of the Donors’ Circle sang and whistled along with the chorus of “Good Morning Moon” from their homes all over the world, and their voices are part of the record.
- Some songs and characters and scenarios were completely fictional, as in “Dear Mister Darcy,” until they came true to the letter. Spooky.
The physical product will be very pretty, I think. The two discs will come in a carbon-neutral matte digipak, and it will include a 16-page book with all the lyrics and gorgeous photos by my friend Brian Adams and illustrations by my amazing Mom, Karen Luke Fildes. My favorite part: no UPC code on the outside of the artwork. When the disc is sold retail (very very seldom), we’ll put the barcode on a sticker outside the shrink wrap — so once you open your music it will be simply that, music, with the UPC business hidden away in an inside corner with the credits and copyright information where you’ll hardly see it. Fans funded this project, and fans are mostly buying it straight from me, so the economic scope of this project is a little too simple to merit interfering with the artwork by adding a barcode to the outside. Somehow that feels right to me.
Here are some of my thoughts on the record from a little earlier this year. It’s a little different than what’s come before. The vocals sound a lot more like what you might hear at a live show, because I’ve done hundreds of live shows since I last went into the studio. Something Fierce is truly my own voice, and the voices of my community (including you guys!). And it represents a lot of growth musically and personally since Got to Fly, my last full-length album. It’s less overtly nerdy (remember Got to Fly was a commission about Firefly and BSG) and yet still laced with geekiness throughout. I hope hope hope hope hope that you like it. I hope it makes you feel something once in a while. I hope it’s art worth loving for a few of you, and worth enjoying for the rest of you.
Okay Marian, quit talking and get some rest.
P.S. If you think you’re going to like this, tell the world to get on board. http://mariancall.bandcamp.com/album/something-fierce is the link to share around the web.
Hey Geeks! I am live streaming a concert tonight! Provided we get the audio sounding good! Which we hope and think it will! Yay last-second trips to radio shack. Make humble sacrifices to the tech spirits; I am.
Here are all the details of how stuff works!!!
- Watch the live stream at http://www.ustream.tv/channel/marian-call-live-from-thinkgeek-hq starting a little after 7pm EDT.
- Want an awesome incredible poster from tonight’s show, drawn by John Tyler Christopher? You can order them tonight only at http://mariancall.com starting at about 7pm EDT! The first 100 will be signed by me, but everyone who orders will get one — we will print as many as you guys order. But only tonight!! Sales close about midnight EDT. All proceeds go to keep Art of Akira, and the artist behind it, thriving. Keeping art alive is up to us, and it’s the best. International friends: you can order too! If your shipping is lots extra you might have to work out an extra little invoice, but you’ll be contacted individually. Order just like normal!
- There are lots of prizes, both for folks here in person and listening/watching online. The rules are below for folks who want to win stuff from @thinkgeek!!!
- If you are enjoying the show from a distance, especially the whole show, please tip so Marian can keep making music! Or buy some lovely songs. Or come to a show in Arlington, Annapolis, New York City, Philadelphia, Cambridge, Portland, or Seattle! And more cities coming soon.
HERE ARE RULES AND PRIZES FOR YOUS! From the Thinkgeek monkeys.
ARE YOU PHYSICALLY HERE?
Four ways to win if you’re at the show tonight!
1. Tweet with the hashtags #TGMarianAkira AND #meatspace (in the same tweet!) by 8:30pm ET and be entered to win (by random drawing) a $50 ThinkGeek gift certificate. Must be present at the concert in person to win!
2. Submit a t-shirt idea in the brainstorm box by 8:30pm ET and randomly win a $50 ThinkGeek gift certificate. Must be present to win!
3. One random ticket purchase-r who is here tonight will win these items at the end of the show:
Zombie Shooting Gallery, Magic d20 of Destiny, Fawkes and Codex Highland Sextasy Poster, Lights and Sounds Delorean, and an Atari Pixel Logo Beer Stein
4. One person who tweets #TGMarianAkira AND #frakabanjo AND #meatspeace (in the same tweet!) by the end of the show, about 10pm ET, will win a #frakabanjo stainless steel engraved dog tag. Only 10 exist in the ‘verse! Must still be present to win.
THESE PRIZES ARE FOR TEH INTERNET.
Three ways to win if you’re not here IRL!
1. Tweet with hashtag #TGMarianAkira AND #internetz (in the same tweet!) by 8:30pm ET and randomly win:
LEGO Hoth Wampa Set, Canned Unicorn Meat, My First Bacon, and a #frakabanjo stainless steel engraved dog tag. Must still be viewing to confirm via Twitter that you accept your prizes, so stick around until 8:30!**
2. Marian will announce the rules of the second challenge via the webstream during the first half of the show. Enter our challenge as broadcasted on Ustream and randomly win at the end of the show:
Enterprise Pizza Cutter, Bazinga Lunchbox, Critical Hit LED d20 Die, and a #frakabanjo stainless steel engraved dog tag. Winner will be announced at the end of the show, about 10pm ET, so stick around! You must still be viewing to confirm via Twitter that you accept your prizes or we’ll pass them along to someone else.**
3. One person who tweets #TGMarianAkira AND #frakabanjo by the end of the show will win a #frakabanjo stainless steel engraved dog tag. Winner will be announced at the end of the show, about 10pm ET, so stick around! You must still be viewing to confirm via Twitter that you accept your prizes or we’ll pass them along to someone else.**
**When we choose our online hashtag winners, we’ll need to confirm within 10 minutes that you are still viewing and that you want to claim your prize, or else we need to pass it along to someone else. So be watching your stream around 8:30pm and again at the end of the show if you’re interested in prizey stuff!